Gulliver's Gate

A mix of our old and new neighborhood.

A mix of our old and new neighborhood.

Gulliver's Gate, located in Times Square, is a fascinating new $40 million miniature exhibit featuring scenes from fifty nations around the world. The miniatures include iconic landmarks, monuments, and world wonders, all brought to life with a blend of modern technology that includes self-driving cars, trains, and moving trams, coupled with stunning attention to old-fashioned model craftsmanship. Top artists from around the world came together to create the buildings and scenes that include 1,000 trains, 10,000 cars and 100,000 tiny people. The New York City section, titled "Metropolis," took nearly a year to make.

"Gulliver's Gate is both tiny and fascinating and overwhelming all at the same time," Jason Hackett, the attraction's chief marketing officer, tells CNet. "A big theme for us is this idea of reveal and how scale can help you understand the world better." While not geographical correct, we enjoyed the part of the New York City scene that mixed buildings from our old neighborhood in the Meatpacking District (hello, Standard Hotel and Whitney Museum!) with our new neighborhood (hello, Penn Station!). Also check out the rooftop party and that one hotel room in the Standard which may or may not feature exhibitionists! 

Segmented Realities

Segmented Realities by José Parlá at the Standard Hotel.

Segmented Realities by José Parlá at the Standard Hotel.

Artist José Parlá's recent artwork, titled Segmented Realities, is about immigration, so it's appropriate that it sits kitty-corner from our office in front of the Standard Hotel. Using his hands to shape the thick paint on these concrete slabs, the sculptures represent the translated memories from various places of his upbringing: San Juan, Puerto Rico, where he partly lived as a child; Miami, Florida, where he was born and raised; and Havana, Cuba, where his family originates from. In Document magazine, Parlá says the separate pieces "play the role of immigration" and the sculpture as a whole "carries the history of...who we are as people, who I am as a person[.]" Claire Darrow, creative director for the Standard hotels, likes the contrast between the hotel’s sleek glass and metal architecture with the artwork's rough concrete slabs. “They remind me of what the neighborhood used to be like,” she says in the New York Times, “what’s missing from the neighborhood now.”