Balloon Museum

Balloon Museum is far more than an immersive display that is fun for all ages, it is a collection of the works of fourteen international artists who have come together to create this extraordinary experience. Interactive installations, like the seemingly infinite mirror wall (first picture) by Tadao Cern. and the huggable inflatable blob beings by Rub Kandy (second picture), actively invite participants to engage with the art. With each artist offering their unique perspective on the shared theme of balloons, the museum unfolds as a vibrant celebration of artistic diversity. The integration of all these distinct art expressions into a cohesive display is truly what makes this exhibition exceptional.

The traveling museum has become an iconic backdrop for photos, even attracting attention from TV characters like one of our favorite expats, Emily, from "Emily in Paris," who visits Balloon Museum in Season Three of the show. After visiting the London exhibition, the Guardian proclaimed it "very Instagrammable.”  We agree! 

Whether you are looking for an interactive form of art, a viral-worthy pic, or just a good time, make sure you get to Balloon Museum before it travels to its next location on January 14. 

Whitney Biennial 2022: Quiet as it’s Kept

Every two years, the Whitney Museum holds an exhibition that is regarded as one of the most important and influential events in contemporary art. Some version of this exhibition, the Whitney Biennial, has been in existence since 1932, making it the longest-running survey of American art. Delayed for a year due to the COVID-19 pandemic, this year’s biennial is a “startlingly coherent and bold” forum for artists’ musings on the events, changes, and trials of last three years. There is a wide variety of perspectives and mediums, from more traditional painting, sculpture, and photography to experimentations with performance, video, light, chemicals, makeup and prosthetics, textiles, and technology. The artworks tackle a wide range of themes, including racial justice, class discrepancy, capitalism, corporatism, imperialism and the effects of colonialist action, the American prison system, indigenous issues, and the widespread grief of a global pandemic. An exhibition this far-reaching and ambitious could easily feel disjointed and chaotic, but instead it encourages the viewer to understand that the issues and conditions addressed by the art “are not new, their overlap, their intensity, and their sheer ubiquity created a context in which past, present, and future folded into one another.” The curators “organized this Biennial to reflect these precarious and improvised times.”

"Here" by Santi Flores

The city of New York, home to people from hundreds of different countries and cultures, takes great pride in its diversity. The Garment District, a neighborhood in midtown Manhattan, is currently home to an art installation celebrating the unique “unity, diversity, and individuality” of “New Yorkers and visitors passing through” the city. Called “Here,” the installation consists of fourteen figures standing in the pedestrian plaza with hands raised high in the air, “as if to say ‘Here we are. We are moving forward together.’” The installation is by Spanish artist Santi Flores, who created each figure out of steel and painted them with unique designs and patterns on their “skin.” The larger-than life figures are a whimsical tribute to New York and the people who live in and visit the city.

George Rickey on the Highline

One of the most influential American sculptors of the twentieth century, George Rickey spent much of his long career fascinated with the movements of the wind. He was captivated by “the waving of branches and the trembling of stems, the piling up or scudding of clouds, the rising and setting and waxing and waning of heavenly bodies.” His most famous sculptures reflect this preoccupation with movement. Rickey developed a distinct style of kinetic sculptures: simple, large-scale forms that were carefully balanced and calibrated to move with the slightest breeze. Several of these simple, gently moving pieces are currently on view at Kasmin Gallery’s rooftop sculpture garden in Chelsea, viewable from the High Line. The three works visible there, Five Lines in Parallel Planes, Peristyle II, and Two Red Lines, are all made up of elegant steel spikes, precisely balanced to sway and dip with the movements of the air. All created in the 1960s and 1970s, these pieces are emblematic of the sculptor’s signature style.

Yayoi Kusama’s Infinity Mirrored Rooms

Yayoi Kusama is one of the most well-known contemporary artists in the world. She is best known for her conceptual and sculpture and installations, which blend elements of surrealism, pop art, abstract expressionism, and minimalism. Two of her Infinity Mirrored Room installations are currently on view at the Tate Modern in London. Both rooms strategically use lights and mirrors to create the illusion of infinite space. Infinity Mirrored Room – Filled with the Brilliance of Life is the artist’s largest mirrored room. Pinpricks of colored light shift rhythmically between hues, reflected off the mirrored walls, floors, and ceiling, as well as the still water filling pools on the floor. The effect is dizzying and beautiful. The other room, titled Chandelier of Grief, consists of a flickering baroque-style chandelier inside a smaller, hexagonal mirrored room. This meditative installation is meant to provoke thoughtful exploration of the viewer’s place in their environment. The current exhibition has been exceedingly popular, and it is easy to see why. These mesmerizing rooms are unique and transportive.

At The Met – Fictions of Emancipation: Carpeaux Recast

New York’s most famous art museum, the Metropolitan Museum of Art, is currently featuring a groundbreaking exhibition called “Fictions of Emancipation: Carpeaux Recast.” The exhibition is centered around a single sculpture – a marble bust by Jean-Baptiste Carpeaux entitled Why Born Enslaved! (1868). The bust, featuring a Black woman with tied arms and a defiant expression, became very popular in Europe when it was created. The Met’s exhibition explores the idea that antislavery imagery often reinforced the colonial power structures that they were meant to critique. It is “the first exhibition at the Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire.” The exhibition is thoughtfully and expertly curated to challenge “institutional narratives… bringing race to the forefront of discussions about art and culture.”

US Embassy in London

The US Embassy building in London is a remarkable landmark, with a design that combines utility, security, and sustainability with a striking appearance, inside and out. Opened in 2017, the building is relatively new. The design, by Philadelphia-based architecture firm Kieran Timberlake, is meant to evoke some of the foundational ideals of American government – transparency, openness, and equality. The building’s simple cube shape maximizes useable space in a high-traffic embassy, and the façade made of transparent, high-performance plastic catches the sunlight in an appealing and useful way, directing the natural light throughout the interior of the building. The outside of the building also boasts a landscaped pond that serves double duty as an attractive aesthetic feature and a rainwater retention system, reducing strain on the municipal water system and pollution of the nearby Thames River by repurposing collected water for irrigation and mechanical systems. The inside of the building is equally well designed, featuring indoor gardens and countless works of art, including an enormous mural created with the words in the US Constitution.

Immersive Van Gogh Exhibit at Pier 36

Usually, when we see fine art, it is displayed fixed to the wall of a museum. No matter how vibrant and expressive the images are, the work remains inert, trapped by a frame. But at the Immersive Van Gogh exhibition at Manhattan’s Pier 36, the viewer is plunged into a living painting. The vivid colors and expressive brushstrokes that are Van Gogh’s signature come to life on the walls, floors, and mirrored surfaces of the space. The artist’s huge body of work is animated and projected in a cavernous exhibition space, accompanied by an expertly curated soundtrack. The result is breathtaking – some moments quite literally drew gasps from the attendees gathered in the space. It is a rare experience to step inside of a painting and watch it come to life, and Vincent Van Gogh’s gorgeous post-impressionist style creates a dream-like atmosphere that is unlike anything else.

Soul of a Nation: Art in the Age of Black Power

American People Series #18: The Flag is Bleeding by Faith Ringgold

Brooklyn Museum’s exhibit, Soul of a Nation: Art in the Age of Black Power, features the work of over sixty black artists from 1963 to 1983, “one of the most politically, socially, and aesthetically revolutionary periods in American history.” Over 150 artworks in the exhibition address the unjust social conditions facing black Americans. These include Faith Ringgold’s painting of a “bleeding” flag (above). Ringgold, who was inspired by Amiri Baraka, one of the key leaders of the Black Arts Movement, developed a style that she called “super realism” to accurately depict the “oppression faced by Black people as viscerally as possible.” The exhibition is at the Brooklyn Museum through February 3, 2019.

Adorn Me

Tanda Francis, a Brooklyn-based artist who incorporates Victorian and colonial ornamentation into her work, is known for focusing on monumental African female heads and masks and ancient customs and rituals. Adorn Me, an impressive sculpture in Fort Greene Park, is inspired by African sculptural tradition, including Ife portraiture, and is meant to address the under-representation of positive images of and by people of African descent in public artworks and also “provide a healing message during a time of heated debate over monuments erected as symbols of oppression and control.” The sculpture will be in Fort Greene Park through August 17, 2019.