“Havah…to breathe, air, life” by Shahzia Sikander

As we kick off Women’s History Month, we could not be more excited about Shahzia Sikander’s outdoor multimedia installation “Havah...to breathe, air, life,” whose sculptures centered around themes of women and justice, a theme akin to our own ethos, are currently gracing Madison Square Park and atop the Courthouse of the First Department of the Supreme Court of the State of New York. A “citizen of the world”, Ms. Sikander who hails from Pakistan and lives in New York City received the prestigious United States Medal of Arts in 2012 and has been acknowledged for renewing interest in the Indo-Persian miniature form and revolutionizing the  feminist neo-miniature movement worldwide.

“Havah…to breathe, air, life” consists of two sculptures of women; Witness, which sits at the entrance of Madison Square Park and 25th Street, and NOW, which is perched atop the Appellate Division of the New York State Supreme Court and is the first female figure to be installed there. With her limbs as tree roots, her hair braided and coiled like a ram’s horn, her head held high and eyes wide open, Sikander’s golden women sculptures encompass symbols of power, strength, durability, and femininity. Whereas “Justice” throughout history has been symbolized as a woman, blindfolded, and holding scales, Sikander’s allegorical women suggest a new vision of woman and power in the justice system. Complete with a decorative jabot at the neckline, a nod to the lace collar worn by the late, trailblazing United States Supreme Court associate justice Ruth Bader Ginsburg, Witness and NOW remind us to “reverse stereotypes about gender, race, immigrants, and the unfamiliar” as noted by the artist.

Pieces of Poetry

Pieces of Poetry: a community mosaic celebration in Fort Greene Park is a celebration of Walt Whitman, Richard Wright, and Marianne Moore, three notable literary figures from Fort Greene. The mosaic depicts a bookshelf with the titles of the honored writers’ most famous works and is comprised of hundreds of glass shards collected from the park. Installed in the southwest wing of the Prison Ship Martyrs Monument Plaza, the artwork is designed by Brooklyn-based artist Courtney McCloskey, who collaborated on the piece with students from neighborhood schools, including P.S. 20; The Greene Hill School; Science, Language, & Arts International School; and Brooklyn Technical High School.

Brick House

Brick House by Simone Leigh is the inaugural commission for the High Line’s new series of a rotating selection of new monumental, contemporary art at the recently opened Plinth section of the park. Located off 30th Street and 10th Avenue, the sixteen-foot-tall bronze sculpture depicts a woman whose skirt is reminiscent of the clay house architecture of the Mousgoum people of Chad and Cameroon and the sculpture draws from the Batammaliba architect culture of the people of Benin and Togo. As to its placement on the High Line, Leigh tells the New York Times: “I thought: ‘What better place to put a Black female figure?’ Not in defiance of the space, exactly, but to have a different idea of beauty there.”

Silent Agitator

Silent Agitator by Scottish artist Ruth Ewan is a clock sculpture located off 24th street on the High Line. The “monumental” sculpture is based on an illustration originally produced by labor activist Ralph Chaplin for the Industrial Workers of the World (IWW) labor union. The illustration, a reference to the union’s round-the-clock organizing work and importance of the clock in labor negotiations including the fight for eight hour workdays, was one of many images that appeared on “stickerettes” (known as “silent agitators”) and distributed by union members. Ewan’s intention with the piece is to “provide a gathering space on the High Line, evoking the private vs. public separation of space and time we experience in capitalism, and a possible future where people gather together for their reclamation.”

Viewfinding

Viewfinding is a public art installation and queer poetry collaboration by Sarah E. Brook, a New York-based artist whose work utilizes “translucency, layering, color gradients and architectural references to investigate the relationship between expansive external and internal (psychic) space.” Located off the 68th Street Entrance to Riverside Park South, the interactive light sculpture is comprised of five wooden trapezoidal panels within which are strips of cast acrylic painted in colors from rich blue to fiery pink, all meant to reference the sky at sunset. Twenty-six poems by queer poets are attached to the bench below the panels. Through her art, Brook invites the viewer to explore “how vastness can dismantle limiting narratives of being” and “offers viewers the opportunity to seek their own resonant orientation to the work through chosen sightlines, alternately illuminating, obscuring and revealing corridors of visibility.”

Trailblazing Women

New York City has only five statues honoring female historical figures. (There are 145 male historical statues.) The five statues include Joan of Arc, Golda Meir, Eleanor Roosevelt, Har­riet Tubman, and the American author Gertrude Stein, pictured above at Bryant Park. Stein’s placement near the New York Public Library reflects her significant literary contributions, including plays, librettos, film scripts, and novels, as well as her influence on American writers. But Stein (and the others) won’t be alone for too much longer. This week during the start of Women’s History Month, NYC First Lady Chirlane McCray announced four more permanent monuments (along with the previously announced statue of Representative Shirley Chisholm, the first black woman elected to Congress) that will honor "the trailblazing women who have helped shape New York City." The statues will depict Billie Holiday, the iconic singer; Elizabeth Jennings Graham, who fought racial segregation in 19th century New York City; Dr. Helen Rodríguez Trías, a leader in pediatrics and public health; and Katherine Walker, one of the first female light house keepers who is credited with saving at least fifty people. "We cannot tell the story of New York City without recognizing the invaluable contributions of the women who helped build and shape it," McCray told reporters at a press conference. “In honoring these four trailblazers today, New Yorkers will have the opportunity to see powerful women who made history receive the recognition they deserve."

Adorn Me

Tanda Francis, a Brooklyn-based artist who incorporates Victorian and colonial ornamentation into her work, is known for focusing on monumental African female heads and masks and ancient customs and rituals. Adorn Me, an impressive sculpture in Fort Greene Park, is inspired by African sculptural tradition, including Ife portraiture, and is meant to address the under-representation of positive images of and by people of African descent in public artworks and also “provide a healing message during a time of heated debate over monuments erected as symbols of oppression and control.” The sculpture will be in Fort Greene Park through August 17, 2019.

Good Fences Make Good Neighbors

Good Fences Make Good Neighbors in Washington Square Park.

Famed artist and activist Ai Weiwei has a new multi-site exhibit in New York City. Good Fences Make Good Neighbors is a multi-media exhibition for public spaces, monuments, buildings, and transportation sites and is a "passionate response to the global migration crisis and a reflection on the profound social and political impulse to divide people from each other."

The exhibit is spread out over the five boroughs. In Washington Square Park (pictured above), where Ai Weiwei often visited in the 1980s when he lived nearby, his thirty-seven-foot-tall steel cage titled "Arch" seems at first only an impenetrable barrier, but the opening, cut in the silhouette of two united figures, allows passage. In Central Park, "Gilded Cage" evokes the "luxury of Fifth Avenue and the privations of confinement." At Flushing Meadows in Queens, his 1,000-foot-long "Circle Fence" uses metal frames with netting to surround the Unisphere, making a "global border that can be seen as both playful and sobering." Ai Wewei has also created 200 banners to appear on lampposts across all five boroughs that feature images from his new documentary Human Flow, which was made after he traveled to twenty-three countries and more than forty refugee camps in 2016.

The exhibit title references a folksy proverb cited in poet Robert Frost’s Mending Wall, and Ai Weiwei chose this title with "an ironic smile and a keen sense of how populist notions often stir up fear and prejudice." Visitors to the exhibition will find that "good fences" do not just keep people out but, more importantly, let people in. Ai Weiwei says: “Think about 65 million refugees who stay in the cold and the rain and the horror with no hope...Fortunately, and also fortunately, we’re spoiled by contemporary life; we forget other people still in suffering and in pain and who need help. We have to protect the people just like we have to protect ourselves. Otherwise, anyone can be refugees.”

Hippo Ballerina

Bjorn Skaarup's Hippo Ballerina.

I love Bjorn Skaarup's adorable Hippo Ballerina. Inspired by Degas’ “Little Dancer Aged Fourteen” and the dancing hippos of Walt Disney’s “Fantasia,” the Hippo is a copper tutu-clad bronze sculpture standing over fifteen feet tall by the Danish artist. The piece "vividly illustrates the artist’s ability to reinterpret subjects and themes found in ancient myths, art history, modern animation, and contemporary popular culture in playful ways that engage the viewer." The Hippo is at Dante Park near Lincoln Center through July 31, 2017. Go on. Dance with the Hippo. People won't stare too much.