Dance Magazine: “Is the US Government Cracking Down on Artists’ Visas?”

Throughout the past year, dancers and US-based theatre companies have been experiencing delays and denials in attempts to obtain approvals for performances in the US. In late March, the Joyce Theater's annual gala performance had to include a last-minute substitution after two Paris Opéra Ballet dancers were unable to obtain visas.  "It was a shock," Linda Shelton, executive director at The Joyce Theater, tells Dance Magazine. "In all 25 of my years here, I think we'd only been turned down once before. That was ages ago and we already had a feeling that dancer wouldn't be approved anyway, because of an issue with their passport. This was just a big, big surprise." Then, less than a month later, visa petitions for Bolshoi Ballet stars Olga Smirnova and Jacopo Tissi to perform at the Youth America Grand Prix gala were denied. Last year, South Korea's Bereishit Dance Company had to cancel a performance because of similar issues. 

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Future is Goddess

Victim (2015) by Michela Martello.

Victim (2015) by Michela Martello.

Future is Goddess, a new exhibit at local gallery Pen + Brush, features the work of Italian-born artist Michela Martello. Her work is a blend of "strength and softness, of domesticity and demolition" and "takes a stand against the anxieties of 2017 and affirms women's power and potential in response to our current political and social uncertainty." The artist, who resides in Brooklyn, has a background in illustration and produces murals and artwork on textiles. This exhibit, an eight-year survey of her work, is an intentional play on the empowering phrase, the “Future is Female,” with the role of Goddess "signifying a transformative rise in feminine power[.]" Among other pieces, the exhibit features a site-specific graffiti mural on the gallery wall with three goddesses representing a mixing of cultural backgrounds, to which viewers are invited to interact by tagging. The exhibit is on view through April 22, 2017.